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Dion Boucicault, Strang's Players and Plays of the last quarter century 1902
Dion[ysius] Lardner Boucicault (1820-1890) The Irish actor and dramatist is
said to have written between 120 and 150 plays. "Not only was [he] the most
successful and popular playwright of his eras, he also remained widely admired
as an actor." [Oxford] He also served as a house dramatist and stage
director at the Union Square and Madison
Square Stock Companies. The "sensation scene" became a trademark of his work --
a "spectacular display of stage pyrotechnics ...exploding steam-boats,
snowstorms and avalanches, duels and massacres, urban conflagrations -- these
and dozens of other sensations kept audiences at a high level of tension
especially as Boucicault began to use them nearly twenty years before he finally
perfected the invention of fireproof scenery". International Dictionary of
Theatre
Theatre attendance suffered after this disastrous fire[
at the Brooklyn Theatre in 1876] and Boucicault was the
first to suggest fireproofing of theatrical scenery. Dec 21, 1876
at Wallack’s Theatre, Boucicault “attempted to set fire to a scene saturated
with a solution of tungstate of soda and primed with a solution of silicate of
soda, suspended over the center of the stage. A flame equal to the
force of one hundred and fifth of the ordinary gas-jets of the stage was
directed on the suspended canvas and held there about two minutes. The
canvas did not blaze or smoke.” Townsend Walsh, The career of Dion Boucicault,
Dunlap society 1915 pp 186-188 http://books.google.com/books?id=2woEAAAAYAAJ&dq=boucicault+%22sensation+scene%22&source=gbs_navlinks_s
There were calls for immediate flame-proofing of theatres. But “unfortunately, however, it soon became evident that, whereas scenery thus treated could not be burned, neither could it long remain scenery. Night after night the stage was covered with a fine dust very distressing to the lungs of the artists and destructive to the furniture in the scenes. In a little over a week the paint has fallen almost entirely from the flats. The canvas of which had become ruined by dry rot.”
EJ Phillips made her professional stage debut in Boucicault's play London Assurance in 1852 in Hamilton Canada. John Nickinson's greatest role was Havresack in Boucicault's Napoleon's Old Guard The Samuel French script https://babel.hathitrust.org/cgi/pt?id=mdp.39015063763273 lists John Nickinson as appearing in this in 1848 at Mitchell's Olympic Theatre. It was first produced in London in 1844 and in New York in at the Chatham Theatre in 1845 with J. Booth and Mrs. Booth as Melanie, at the Park Theatre in 1847 with Henry Placide and "Mr Nickinson and his talented daughter have still more recently enacte the parts of the veteran and his child at the Olympic, with decided success."
John Nickinson as Havresack and Charlotte as Melanie
A poignant note from Hattie to Neppie on Dec 19, 1897 "Baby is lovely .... her name is to be Melanie Nickinson. John and I liked Katherine Harriet but there were so many objections to the Katherine & so mnay suggestions that John got quite desperate & said that was the worst of having them, you did not know what to name them." Finally he selected "Melanie Nickinson" & that seems to suit as well as any. I always was sorry that I was not called "Melanie" which was what Papa & Mama had intended. I hope the little lady will like it herself but I don't suppose she will. People never like their own names. [Hattie's names were Christine Harriet Melanie Nickinson.]
Melanie is obviously a reference to the character played in Napoleon's Old Guard by both Charlotte Nickinson and EJ Phillips.
Maud Harrison made
her stage debut in 1875 in Boucicault's The Flying Scud or Four-Legged
Fortune, the first of the popular horse racing melodramas.
Playbill for
Dion Boucicault's Octoroon, May 8, 1861
Boucicault was 63 in 1883. His first wife died in the Alps shortly after
their marriage. Agnes Robertson, his second wife is not mentioned in these
letters. His third wife Louise Thorndyke Boucicault is briefly
mentioned.
Cleveland Nov. 17, 1893 Miss Elsie
deWolfe did not gain her bit of diplomacy as Miss Ada Dyas & Mrs.
Thorndyke Boucicault are engaged for A
Woman of No Importance.
Biographer Richard
Fawkes tells how Boucicault left New York for San Francisco in April
1885 with his son Dot, daughter Nina and Louise Thorndyke, who was then 21. They
traveled to New Zealand and Australia. Boucicault was 64. He and
Louise were married in Sept. in Sydney and Boucicault claimed to be a widower on
the marriage certificate, though his wife Agnes Robertson was alive in London.
Boucicault had been claiming they were never legally married. Son and
daughter promptly cabled their mother who took out an ad claiming he was a
bigamist. The newlyweds were in no rush to return to America and when they did
they appeared in his play The Jilt, which drew in crowds eager to see the
couple.
Dion Boucicault spent
most of his last years teaching at a drama school established by AM
Palmer. "The gentlemen were for the most
part, awkward, stiff and slow, the girls graceful, quick and refined. Among the
lady students we found twenty-two who aspired to be Juliets and Paulines and
Parthenias, and one who consented to play old women. When faced with this
result Mr. Palmer could not refrain from quoting Falstaff's bill of fare "Two
gallons of sack for one half penny worth of bread!" D. Boucicault "My
Pupils" North American Review 148 November 1888:435-440.
Edith Wharton wrote about The Shaughran in Age of Innocence [chapter XIII]
It was a crowded night at Wallack's theatre. The play was "The Shaughraun," with
Dion Boucicault in the title role and Harry Montague and Ada Dyas as the lovers.
The popularity of the admirable English company was at its height, and the
Shaughraun always packed the house. In the galleries the enthusiasm was
unreserved; in the stalls and boxes, people smiled a little at the hackneyed
sentiments and clap- trap situations, and enjoyed the play as much as the
galleries did.
Bibliography
Boucicault, Dion
Leaves from a dramatist's
diary,
North American Review, Aug. 1889 http://cdl.library.cornell.edu/cgi-bin/moa/moa-cgi?notisid=ABQ7578-0149-32
Fawkes, Richard, Dion Boucicault, Quartet Books, 1979
Hogan, Robert, Dion Boucicault, New York: Twayne
Publishers Inc. 1969
Quinn, Arthur Hobson, Representative American Plays, Appleton Century Crofts,
1953 includes Boucicault's Octoroon, as well as Fashion, Hazel Kirke, Margaret
Fleming and other contemporary plays. Thanks to Bonnie Walters for this
volume.
Websites
RF Dietrich, British Drama from 1890 to 1950, Death of
Boucicault
http://chuma.cas.usf.edu/~dietrich/britishdrama2.htm#Boucicault
Richard Fawkes Dion Boucicault Collection, Templeman
Library, Univ. of Kent, Canterbury
https://www.kent.ac.uk/library/specialcollections/theatre/boucicault/index.html
Dion Boucicault Theater Collection, Univ. of South
Florida http://www.lib.usf.edu/boucicault/
Dion Boucicault, Victorian
Web http://www.victorianweb.org/mt/boucicault/
Wikipedia http://en.wikipedia.org/wiki/Dion_Boucicault
London Assurance |
Boucicault Dion |
amateur
grp |
Hamilton |
1852 |
1841 |
Grace
Harkaway |
||||
Colleen
Bawn |
Boucicault Dion |
Farrar
Hall |
Erie |
1861 |
John
Nickinson |
1860 |
Anne
Chute |
|||
Napoleon's Old Guard |
Boucicault Dion |
Metropolitan |
Hamilton |
1861 |
John
Nickinson |
1836 |
Melanie
Havresac |
|||
Octoroon |
Boucicault Dion |
Metropolitan |
Hamilton |
1861 |
John
Nickinson |
1859 |
Dora
Sunnyside a Southern belle |
|||
Willow
Copse |
Boucicault Dion |
Pike's
Opera House |
Cincinnati |
1863 |
Apr |
1855 |
JN Bill
Staggers EJP Lady Apsley Zavistowskis |
|||
Led
Astray |
Boucicault Dion |
|
Union
Square |
New
York |
1880 |
1879
Chicago |
1873 |
Baroness de Rivonniere |
||
Captain Swift
Last revised July 13, 2019
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